It’s actually quite hard to gauge because dents that are seemingly superficial can look far more prominent later on. This is why you have to damage the paintwork before cracking the lacquer Notice how the lacquer checking lines correspond with the dings and dents. Remember to do the sides as well as the front and back – and be aware that the longer the drop, the deeper the dents. Like the guys at Fender and Gibson, I collect several bunches of keys and simply drop them onto the body. Look closely at genuine vintage finishes and you’ll see that’s how things tend to happen in the ‘natural world’, and it can look amazing. My approach is to begin by adding dings, dents and chips to the finish because when I get the lacquer to check later, the lines will form around these marks. This is the point of no return because it’s the last time this beautiful nitro finish will ever look like new This will be your final opportunity to ask yourself if you really want to go through with the process, because there’s no going back. The RelicĪt the start of this process, you may well find yourself staring at a shiny and pristine finish. When this guitar is finally assembled, both the neck and bridge will be coupled directly to the body. After removing the tape, I sanded away the overspray with a small block. I followed the same procedure for the neck pocket, cutting the masking tape just inside the outer edges of the neck pocket. Here, it has been used to remove sprayover from the edge of the neck pocket You can make a mini sanding block from a small offcut of hardwood and double-sided tape. I peeled the tape from the outside in to reduce the risk of causing damage to the finish. To remove the tape, I scored around the edges with a craft knife then cut across the middle of the pickup rout. A couple of close up shots in the pictures show the detail.Īll round, a super Les Paul from a good period that sounds and plays just like you would want.The tape had to be left in situ until the finish had cured properly and the cutting and polishing process had been completed. The neck is rock solid and there are no structural issue, but I like to be very open about the condition of guitars I sell. I have inspected it closely and can't see any sign of a repair to the neck, it just looks like the lacquer, but can't be 100% sure. There is some general fret wear across the neck but no nasty dents or anything that effects the playability at all.Īt some point it looks as if the guitar has been knocked at the top of the neck as there is a fine lacquer crack. This is one of my favourite colours for a Les Paul and the flamed top is very subtle, not too over the top.Ī little light buckle rash on the back and couple of small scratches as would be expected on a guitar of this age, the top is in very nice condition though. Gibson Les Paul Standard 2004 in Honey Burst.īeautiful looking original guitar with great action and lovely tone.
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